28 November 2010

New Work, New Photos

Well I've finally begun to take advantage of the fabulous photo studio at MassArt which I just found out is available to all alumni as well as current students, set for life.

Lately I've been getting very excited about drawing and have been doing some intense small pieces which are not shown here but are very much happening.  I did a watercolor on a whim as demonstration during a class I was teaching but I ended up really liking it.  Perhaps I will push this a bit further in the studio.

Here are some new pieces with some old pieces but all are photographed well.  There is still a warping happening, you may notice, although not nearly as bad as when I photograph my work on my own.
"Drawn Collage Landscape"
 30"x22"
 Charcoal and Graphite on Paper
"Line Landscape"
30"x22"
Charcoal on Paper
    
"Charcoal Landscape"
30"x22"
Charcoal on Paper

"Bright Landscape"
36"x22"
Oil on Canvas


"Horizontal Landscape with Flesh"
26"x32"
Oil on Canvas

"Landscape with Flesh"
32"x26"
Oil on Canvas


"Red Hill"
13"x11"
Oil on Canvas

"Wave"
13"x11"
Oil on Canvas

"Red Sky with Cliffs"
36"x28"
Oil on Canvas

"Watercolor"
12"x9"
Watercolor on Paper


13 October 2010

Heading into Fall

It’s been a while; I’ve moved out of one studio and into another, my position as the art teacher at a summer camp has clearly ended and new work is in progress!

Here is my fabulous new plant that I am very excited about.  I’ve had it for a week or two now and it grows these beautiful little orange flowers that look like goldfish.  I think it may need a transplant soon, what do you think?


Here are two paintings that I am currently working on.  I think they’ll be done soon.  I’m very excited for a couple new colors these two have each added to my palate. 


 Cobalt Teal  mixed with a bit of Cobalt Blue (plus a little Titanium White and Cadmium Yellow Dark mixed in places) is giving me some exciting new blues in the center of the second painting.  I am also happy to put my Dioxazine Violet to use with Yellow Ochre and Burt Sienna to get a new and rich fleshy tone which you can see underneath some glazing in the bottom right area of the first painting.

Recently I have been taking drawing a lot more seriously.  Here are three completed pieces and one work in progress (shown with source material).  All are approx 27x21” but really that is a big estimation, I never trust my mental measurements!









Here is a tiny sample of my sketches and source material used before and throughout a piece.





A few artists I am currently looking at:




Thomas Moran (Big Yellowstone painter)



Nancy Friese (A temporary faculty member at MassArt, I saw her artist talk a couple weeks ago and spoke with her afterwards, amazing work!!!)




 


04 August 2010

Opening



Had the Eskimo Sister's Gallery Opening on Saturday!  Wooly Fair was a blast and I had a bunch of friends and family come for support which is always fantastic.  Above is a pic my aunt Kathleen got of Jeff and I playing with our friend Pete's dog Jackie (who was wonderfully behaved all night long despite the crowds and heat)


There was amazing artwork everywhere you looked


Such a fun vibe to be a part of




I wish I could give all of the artists credit for the beautiful work I'm showing but there was stuff everywhere; besides I feel that they were more interested in beautifying than getting a nod (which they would doubtlessly get from everybody!)


However, I do know who this artist is because this was one of the pieces in the gallery with my work.  Marguerite Keyes made this amazing and tiny piece called "A Slight Tug."  Unfortunately I did not get to meet her but fortunately her website is fabulous and there is plenty more to see there.


This is half of Alexander Barton's "Preach & Practice" that was painted with pigs blood!!! Intense! Again, didn't meet this artist but he has a superb website that should definitely be looked at!


Shot of my "Vertical Landscape" with the cupcakes




One of the cupcake choices was "Mexican Chocolate" which Jeff made the mistake of trying... only a mistake of course because he isn't into spicy food and that think had a KICK!


29 July 2010

Wooly Fair

Here is my ridiculous version of giving you all directions.

Pretty much you want to go to 532 Kinsley Ave.  
If you take the right onto Eagle St. like your directions will say to, you'll see a white building on your right... that is where all this awesomeness will be located.
But if parking is your concern then you'll want to continue straight on Atwells for a sec through the intersection and pull into the strip mall style parking on your right.  Then follow my very clearly drawn polka-dotted directions to the gallery.
Here is the link to the Wooly Fest peeps LINKLINKLINKLINK
There you will see that there is a cover that will go to the Steel Yard (Read about them! They rock their community left and right!) but you can still get a few bucks off if you pre-order.


I love you and be sure to ask me for one of my fancy shmancy professional lady business cards because I killed the muscles in my hand making them!!


Doors for the gallery are around 5


P.S. You didn't hear this from me but byob!

P.S.S. Watch this!


<3

28 July 2010

Visual Arts Camp


We're really getting into the meat at Visual Arts camp now so I thought it would be a good time to share what my students have been up to.
Above you'll see the inside of the Emilson Arts Center which is where we are setting up for this week and next.



Unfortunately once it is finished being built (note the unfinished walls) in two years it will only be a theater :/ 



At least it is a REALLY nice theater.  That huge stage entrance covered in plywood will be a big glass door that lifts in a week or two when they are finished cutting the glass.


These are the dollar store bins I am very pleased with myself for setting up.  I feel that it gives the students a sense of belonging, especially at a camp where everybody is constantly toting EVERYTHING around with them in backpacks.



The first day we made sketchbooks and went outside to try out some nature drawing.  It's kind of hard to see but the sketchbook on the bottom right is titled "Book of Wonders" so good.


Yesterday we began a weaving project, which blends in with the unfinished wall here, but is strips of brown paper hanging vertically from the stick for our warp and two more at the top and bottom for our weft.  The brown paper has timelines drawn on them and the students could pick any period or amount of time they wished.  This was a great project idea I got from my professor Melissa Chaney at MassArt and served as a perfect intro to weaving.


Later we moved on to more intricate weaving using six strings for our warp and one piece for the weft which zigzagged back and forth.  (Note the nuts looking branches we decorated earlier in the Summer)


This was a frustrating project for many of the students as the warp pieces kept crossing and getting tangled. You can see above that I ended up having them fix the warp in place at the top and bottom for added stability.


Here is an example of one that was started yesterday and finished today, I should have taken more pics this afternoon while everybody was finishing up.  There was something lacking from my teaching strategy for this project because I had several students who kept calling me over because of confusion or they thought they were doing it wrong... but they were actually doing it right!  Is this normal?  Any suggestions on what I could have added?  There must be an in between step that could have helped transition from the Woven Timeline to this project.  I did draw out a diagram and also started one for them to see and touch before we got started.
Today when everybody arrived to continue on with their weaving project it clicked a lot faster, maybe they just needed to go through that rough figuring it out patch yesterday.  Everybody seemed to zoom right along and we had time to start planning for a big sculpture coming up as well as get into watercolors!


Although we are always talking about the color wheel today I really pushed it by only giving them the primaries on their palette.  I didn't even get one complaint about this and was thrilled to see the imagination in color as well as subject matter.


It's hard to see in these photos but a lot of these paintings have salt on them so it will be fun to see the kids again tomorrow to watch them brush off the salt and reveal the surprise visual texture below!


The great thing about art camps like these are that the kids WANT to be there making art so I haven't had too many issues keeping people on task.  When students finish early I offer them either an extension of the project they finished or to work in their sketchbooks.  Probably once a day there is a point where students are running around but they are ages 8-11, I have them for three hours and it is Summer camp.. so a little running around is okay with me, it just cues me for a transition time.

<3

25 July 2010

Back to Nature

 Well I just dropped off some paintings with the lovely ladies at Eskimo Sisters Gallery in Providence this afternoon.  The gallery is FILLED with artwork ready to be hung for the July 31st opening.  Not only will there be a fabulous opening but there also happens to be an amazing fair being put on by The Steel Yard!  Check out the links below, it is going to be so much fun,  I hope to see you all there!


Eskimo Sisters Gallery
Wooly Fair
The Steel Yard


Other than preparing for this show I've been working on the difficult task of balancing art making with art teaching.  I've been fortunate enough to have Scott Ketcham's studio to work in for the past two months and have a couple new pieces to show along with many sketches and ideas for more.
It's all about the routine.  My first few weeks of teaching equalled almost zero art making but once I got into my groove I was able to work my routine into the new schedule.  Some days I would get there and just draw from life (always a good task for skill sharpening) knowing that even if I wasn't feeling a big painting -or just oils in general- I could still give myself a sliver of that accomplished feeling.


Little Sketch


All day I've been trying to align my email and websites so they are all at ElizabethMGilmore.com.  Hows the web address looking at the top of your screen?  If I can figure out how to sign into my domain on Enom then I should be able to use the email Elizabeth@ElizabethMGilmore.com pretty soon which would be very exciting for me.  Too bad I started my handwritten business cards last night already with all of the old info!  Oh well, I suppose if I end up doing everything correctly people should be forwarded to the new addresses anyway.


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And FINALLY!!!! There is a new addition to the family!!!!


Winston and I would like to welcome....

King Evelyn Champaign!!!!




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